Use of sound and music in the film Psycho by Alfred Hitchcock Research Paper

Use of sound and symphony in the film Psycho by Alfred Hitchcock - Research Paper ExampleWhen music and sound are apply efficiently in a movie, a certain flow that comes up that makes the movie seem to explosion better. The 1960 Alfred Hitchcock horror movie Psycho is a perfect example of movies massively relying on the process and technique of music and sound editing (Khairy 09). The ultimate aim of this context is to examine the role of sound and music in the movie Psycho. It specifically looks on how music and sound was used to convey doubt.To begin with, Alfred Hitchcock is believed to be the master of suspense and an immense leader. Psycho created in 1960 was one of his great movies that were one top x of the American Film Institutes top breathtaking films (Kolker 12). Hitchcock has a tendency of using suspense and tension to shock his audition. He achieves this through efficient use of cinematography and correct position of camera, use of movement, angles and shots. He a lso managed to employ scary music and lighting when he intended to shock his listening or generate suspense (Schickel and Capra 29). However, he misleads his audience to come up with shock and at least that is expected in a horror movie. At the start of the film, Marion Crane and surface-to-air missile Loom are seen in the bedroom together. This seemed to suggest that it was a love and romantic story further after stealing the money from her boss, then it is believed the genre of the movie is about crime.Nevertheless, the genre of this film was non about romance or even crime, it was a thriller where the main character died a third demeanor through the film. That is too shocking and unexpected because she was the main character and a good person as well (Kolker 12). Another suspense and shock came when the audience realized that Norman Bates dresses like his mother in womens clothing, which comes up odd and bizarre. Besides, untrue suspense makes shocks more shocking in the sen se that the audience never